Titus Andronicus

SubPlot Studios invited me to take part in designing a theater poster to sell on their shiny new website. Their main goal is to make quality and affordable poster designs available to theatre companies, high schools, and other professional venues that might otherwise not have the funds to create unique designs to promote their shows. By doing so they hope to support the performing arts in our communities and schools, while working with an array of talented artists along the way.

Here is a direct link to the poster: Titus Andronicus. If you scroll over the image you will get a feel for how fully customizable it is.

I got to choose the play, which was a pretty nice incentive. There were many great plays on the list that I would have loved to work on, but when I saw Titus Andronicus was available I felt like it was one I just couldn't pass up. It's a play I studied in college, and I remember feeling struck by it then. The blood? The animal references? How could I pass that up?

There is so much going on in Titus Andronicus, and you could hardly claim any of it to be pretty. It's considered one of Shakespeare's most violent plays, and often is looked down on as being nothing more then shock and awe. Though it is crazy violent, I find it incredibly interesting. Revenge and betrayal are the blatant themes, but the more interesting ones (at least to me) involve gender, race and power. I don't think you can capture it all in one poster. Well... maybe you can but it might make you sick, and I was looking to make something simple, striking and not terribly vomit inducing.

With so many themes to pick from I decided to focus on the character I dwell on the most and the part of the story that strikes me hardest: the rape and torture of Titus's daughter Lavinia.

Lavinia is used as a symbol of Rome, where the story takes place. Her rape is compared to its fall. Her attackers described as tigers and wild beasts. Titus even says, "...dost thou not perceive that Rome is but a wilderness of tigers? Tigers must prey, and Rome affords no prey but me and mine." Wild animals, hunting, and dismembered body parts (particularly hands) are mentioned throughout the play, and were other aspects I chose to highlight in the illustration.

I'm going to indulge in some personal thoughts on the play from here on out. It's a brutal topic, so if you don't wish to feel incredibly depressed you may not want to read on. That being said, if you don't mind some heartbreak and upset, please read on and let me know your thoughts.

Rink Rash

Some portraits for the good folks at RinkRash.ca A Canadian site dedicated to Roller Derby! I think their name pretty much sums it up.

Rink Rash: The nasty red burn a skater gets on their skin after falling on a skating surface, while playing roller derby. Rink rash is often worn as trophies and is something skaters are proud of.

Since these are their contributor page portraits, I lifted the color scheme and distressed circle designs directly from aspects of their website. This seemed like a great way to keep things cohesive. I really dig the way their site is designed, and I'm pleased with how the portraits fit in!

The neck tattoo was greatly inspired by the work of tattoo artist Chris Cleen. He has a great, sexy and retro/classic style. Very bold, with lots of women spontaneously springing out of roses. Anyway, I thought that this tattoo style would really fit with the roller-derby-badass aesthetic.

You can check out his work here.

In other news: I'm living in Oregon and it's lush and bloody amazing.

WEREWOLVES @ Comic-Con

Werewolves - written by Paul Jessup / illustrated by Allyson Haller

If you are going to the San Diego Comic-Con this year, be sure to stop by the ChronicleBooks booth (1506.) They will be selling my book, Werewolves, amongst other illustrated wonders!

Chronicle is offering some super deals on their website for those of us who are missing out on Comic-Con this year. Use the code COMICCON11 at checkout and receive 25% off + free shipping on Werewolves and other titles.

Joanna Moody - Pocket of Treasures

Joanna Moody - Pocket of Treasures

I recently had the pleasure of designing and creating artwork for the CD sleeve of acoustic songbird Joanna Moody. This is her first full-length release, self produced with lots of time and dedication. Please check her out, get songs, or order your copy directly at her site on Bandcamp.

One reason I loved working with Joanna was her complete openness towards the project. She described the general feelings she wanted to provoke, often speaking about the paradoxes she aspires to express within her music: sophisticated but quirky, sweet with a darkness, beauty with an edge. Then she shared her songs with me for inspiration.


On the left is the chosen sketch. I started by creating a few logos, and then moved on to the art. This may seem a little backwards, but worked out just fine!

Here's another font/sketch combo:

Once the cover was complete, the inside, disc, and trifold insert was created using elements from the illustration.

Here is the final product:

Thanks Joanna, for all your trust during the project!

DIVA Magazine

None Upon Thars - DIVA

I recently created an illustration for UK based lesbian magazine DIVA. This art is for an article called "Gold Star Girls," that interviews 4 women on the notion of the "gold star."

So... what's a gold star girl? I had never even heard of the term until this article came along. Simply put, a "gold star" is a lesbian who has never had sex with a man. There's often a tendency to view a gold star as being the best kind of lesbian, and that they are somehow more special.

My brain couldn't help but make a connection to my favorite Dr Suess story "The Sneetches." Here are the opening lines to the story:

Now, the Star-Belly Sneetches had bellies with stars.
The Plain-Belly Sneetches had none upon thars.
Those stars weren’t so big. They were really so small.
You might think such a thing wouldn’t matter at all.

It shouldn't matter at all. Though a certain amount of awe is easy to understand. After all, who wouldn't want to be sure and confident in life and sexuality right from the get go? But, the impression I got was that the "Gold Star" is just another form of branding. Just another way to judge someone. What I love about the article is that it throws that label to the curb and gives it a good trample. (I make it sound harsh, but it seems Lulu Belliveau and the interviewees are more eloquent than I.) Each woman, coming from her own experience, made it clear that there wasn't anything wrong with being either or. We shouldn't put anyone on a pedestal because of their sexual behavior or experience. So forget about stars and whether you have one, or none, upon... yars.

My hope is that this illustration appears as confident, accepting and non-judgmental as the ladies in the article.

A fun technical aspect of making this illustration was composing it to fit in the unusual space that was predetermined by the designers at DIVA. Hurray for creative problem solving skillz.

I also played a lot with color before I came to the "not pink" conclusion. BUT IT WAS SO HARD. Cause, in pink, this girl looks truly-truly-truly outrageous.

Big thanks to Luciane Pisani for contacting me for this!

Bathory

Erzsebet Bathory

An illustration I created during the trial period for another project. She'll never see the light of print, but I thought I'd share her here and spill some bloody historical details on you for funsies.

Elizabeth Bathory, or the "Blood Countess." A pretty gruesome lady.

Not a vampire, though sure to have inspired their myth, but a serial killer. A Hungarian noble women, born in 1560, to a family line known for it's cruelty; she was vain, privileged, and easy to anger. One of the more appalling details of her legend involves bathing in the warm blood of virgins to restore her youthful beauty. Her victims were young peasant girls and the daughters of lesser gentry spirited away to her castle with promises of work or higher learning. Her bloody-bath was never documented in any official capacity; based on the evidence recorded it's more likely she gained sexual thrills through blood and torture.

Though she was formally charged with the torture and murder of 80 young women, other testimony puts the number as high as 650. The number most likely grew due to time and embellishment. Much evidence against her was gotten through torture, so there's no telling what is true in this story or how much was skewed for political or religious purposes. On the other hand, the documented testimonies from survivors, the multitudes of missing girls and the evidence of human remains on her property is stunning to say the least. Once finally arrested, she was bricked into a small room in her castle and fed threw a slot in the wall until she died 4 years later in 1614. Whatever the truth may be, Erzebet's legend is a macabre one and she has gone down as the most prolific female serial killer in history.

If you really want to delve further into this bit of crazy-horrificness, I suggest this lengthy article on Crime Library, and of course wikipedia for the short of it. You'll find the story is always a little different depending where you look.

*nom nom nom*

The illustration is from the bloody vampire perspective. But I'm thinking it would be fun to do a more realistic portrait in the future.

Blondie

Hangin' on the Telephone - Debbie Harry

I've been updating my website, trying to make the thing more functional. Hence no more flash. sorry flash! It's not that I have anything against you... it's just. everyone else does?

Above is a little illustration for the contact section. I ask you, who would make a better mascot for the telephone then 80's new wave icon Debbie Harry? No one. not one person or thing. With at least 2 hits based around telephone calls, she's got everyone beat. I'm looking at you Tommy Tutone.